Art show opening - The Melting of Time

Wednesday, March 9th, 2022 @ 18:30
Espace Ruine, Rue des Vollandes 15, 1207 Geneva, Geneva
I'll be going to this opening (vernissage) in Eaux-Vives. Maryam is and Iranian artist living in Geneva having recently completed her MFA from HEAD. If we feel like it we can get some drinks or bite to eat after the show in Eaux-Vives.
Artist website: Maryaebrahim.com
See details below. Please note I've copied this from
"La fonte du temps" - The Melting of Time
Photographic installation by Maryam Alinejad Ebrahim, an Iranian artist working in Geneva.
Vernissage on Wednesday, March 9 at 6:30PM or see the exhibition until March 13 (Thu/Fri: 3PM - 7PM, Sat: 11AM - 7PM, Sun: 11AM - 5PM, or by appointment: +41 78 821 73 37).
Be prepared for some insights into the depiction of love in post-revolutionary Iran.
Here's the background:
When photography first made its entry in Iran during the Qajar dynasty (1789-1925) at the end of the 19th century, no one could have imagined that one day this tool would be used to record love. Until the Islamic Revolution of 1979, many couples went in front the camera to break the taboo that surrounded the depiction of love. Photography has made it possible to put into images the love that had been depicted only in books until then, and thus to make it visible in the streets and houses. During King Pahlavi's second dynasty (1925-1979), photography spread Visual Pleasure. The arrival of the Revolution gradually closed the door of all liberties to show love in public.
As the artist is herself part of the post-revolutionary generation, she saw how attractive Visual Pleasure had become. To reach it, you had to be patient. Visual Pleasure could only come to them through the melting of time.
Find more details on her website: Maryaebrahim.com
Artist website: Maryaebrahim.com
See details below. Please note I've copied this from
"La fonte du temps" - The Melting of Time
Photographic installation by Maryam Alinejad Ebrahim, an Iranian artist working in Geneva.
Vernissage on Wednesday, March 9 at 6:30PM or see the exhibition until March 13 (Thu/Fri: 3PM - 7PM, Sat: 11AM - 7PM, Sun: 11AM - 5PM, or by appointment: +41 78 821 73 37).
Be prepared for some insights into the depiction of love in post-revolutionary Iran.
Here's the background:
When photography first made its entry in Iran during the Qajar dynasty (1789-1925) at the end of the 19th century, no one could have imagined that one day this tool would be used to record love. Until the Islamic Revolution of 1979, many couples went in front the camera to break the taboo that surrounded the depiction of love. Photography has made it possible to put into images the love that had been depicted only in books until then, and thus to make it visible in the streets and houses. During King Pahlavi's second dynasty (1925-1979), photography spread Visual Pleasure. The arrival of the Revolution gradually closed the door of all liberties to show love in public.
As the artist is herself part of the post-revolutionary generation, she saw how attractive Visual Pleasure had become. To reach it, you had to be patient. Visual Pleasure could only come to them through the melting of time.
Find more details on her website: Maryaebrahim.com
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